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Francine Houben

  • Site : mecanoo.nl
  • Adresse : Oude Delft 203, 2611 HD Delft, the Netherlands 2611HD Delft
"Architecture must appeal to all the senses. Architecture is never a purely intellectual, conceptual, or visual game alone. Architecture is about combining all the individual elements into a single concept. What counts in the end is the arrangement of form and emotion." Francine Houben (b. 1955) began to formulate the three fundamental concepts of her architectural vision whilst studying at the Delft University of Technology, the Netherlands. Designing primarily for People, constructing spaces that are relevant to Place, and forging connections that give a building Purpose have remained consistent, underlying values to Mecanoo’s practice over the past three decades. Always seeking inspiration in the details of specific sites and locations, Francine bases her work on precise analysis coupled with an intuition built over three decades. She interweaves social, technical, playful and human aspects of space-making together in order to create a unique solution to each architectural challenge. Francine combines the disciplines of architecture, urban planning and landscape architecture in an untraditional way, with a profound sensitivity for light and beauty. Her use of materials, which often contrast in a complementary way, are the sum total of her creative expression.

National Kaohsiung Center for the Arts

The National Kaohsiung Center for the Arts symbolizes the transformation of Kaohsiung, once a major international harbour, into a modern, diverse city with a rich cultural climate. Mecanoo designed the National Kaohsiung Center for the Arts, located on a former military terrain, as an integral part of the adjacent subtropical park to have a positive social impact on the residents of Kaohsiung whose population counts almost 3 million.

Inspired by the local Banyan trees with their iconic crowns, the vast, undulating structure is composed of a skin and roof, and connects an extensive range of functions. The curved steel structure was built in cooperation between a local and a Dutch shipbuilder. Underneath this roof is Banyan Plaza, a generous, sheltered public space. Residents can wander through here day and night, practice Tai Chi or stage street performances along walkways and in informal spaces.An open-air theatre nestles on the roof where the structure curves to the ground, with the surrounding park forming the stage. Designed with the subtropical climate in mind, the open structure allows the wind to blow freely through Banyan Plaza. The seamless flow between interior and exterior creates opportunities for crossovers between formal and informal performances.

Different theatres such as the 2000-seat concert hall and 2250-seat opera hall are located in the five cores or ‘legs’ of the building where the structure meets the ground. The cores connect with one another via foyers in the roof and an underground service floor which houses the backstage area of each theatre.

Illustration

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