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Marlies Breuss

  • Site : www.holodeckarchitects.com
  • Adresse : Friedrichstraße 6 1010 Wien
Holistic Architecture / Conceptual Contextualism. Architecture is the connecting element of user, location, technology and philosophy. We collect detailed information about particularities of the site, we analyse user programs, investigate appropriate low-technology and then develop the contextual concept. Our architectural strategy aims to overlay the intertwined complexities and we generate buildings with new programmatical interpretations, continuity of landscape, urban context, lowtech and differentiated sequences of space. Marlies Breuss, Architect, studied Piano and Composition, graduated in Architecture from Vienna University of Technology, Postgraduate Master Programme at Southern California Institute of Architecture (SCI Arc, M.Arch.II) in Los Angeles. 95-01. Visiting Professor at Institute for Architecture and Design at Vienna University of Technology 2019. Important Prizes: Global Energy Award National Winner 2020 Mies van der Rohe Award 2019 Nominee Iconic Award Best of Best for Innovative Architecture 2019 The Plan Award 2019 Honorable Mention Leading European Architects Forum Award 2019 Shortlisted Architizer A+Awards 2019 Finalist Austrian Green Building Planet Award 2018 Green GOOD DESIGN Award 2018 Best Architects 14 Award Ernst A.Plischke Preis 2014 Nominee IFD Award 2013

double vision I dürer kentridge

In the 'Sonderausstellungshalle' at the Kulturforum in Berlin a spatial laboratory for experimenting with exhibition displays has been installed by the curators Elke Werner and Andreas Schallhorn. Creating a dynamic dialogue between the works of Albrecht Dürer and William Kentridge, seven curatorial themes reference the two significant artists. Their work is arranged in precise spatial sequences including different ways of observing and perceiving art. The project double vision expands on the various methods of printing that originated in the sitxteenth and twentieth centuries as part of a research project at the Freie Universität Berlin.

Nine existing height-adjustable square light-elements, designed by the architects Hilmer, Sattler und Albrecht, are the keynote of the conceptual design. Minimal spatial interventions, with low-partition walls, and some specifically designed elements, further the ideas of experimenting with the display of printing technologies. Various positions of height and light intensity follow the curators’ themes and support the discourses constructed by the display. Specific elements such as a soft-cover platform or a large table with seats for reading, aim to actively introduce visitors into an experimental dialogue with the carefully selected original prints. They invite viewers to lie or sit down, so as to familiarize themselves with the themes of the artwork, and thus to become active participants.

One part of the exhibition presents the works of Albrecht Dürer that can be surveyed closely with a movable magnifying glass installed on tracks. In another part, one of Kentridge’s prints – an artwork showing his steps of creative production—has been enlarged and projected on a transparent membrane onto the exhibition floor for the visitors to physically follow, and let themselves be part of his creative process. All the sensory elements incorporated in the conceptual design result in this being perceived as an experimental space for displaying art.

Illustration

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