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Arbau Studio di Marta Baretti e Sara Carbonera

  • Site : https://www.arbau.org
  • Adresse : Via G. Toniolo, 17 31100 Treviso
Arbau studio, founded in Treviso in 2000 by architects Marta Baretti and Sara Carbonera, develops projects in the fields of urban planning, architecture, and landscape design. Their work is characterized by a multidisciplinary approach and a strong focus on the specificity of the built environment. The studio often works on reuse and renovation of existing spaces, aiming to restore value to everyday architecture, occasionally blending into the language of art. Since 2010, Arbau has been involved in the regeneration of the former military area of Forte Rossarol in the Venetian hinterland, where design and research intersect around the theme of care spaces, in collaboration with the University of Verona. Recent projects include the primary school in Feltre, Parco Don Gnocchi in S. Vito di Altivole, Piazza M. D. Olivo in Lignano, and the square on Bastione di Porta Altinia in Treviso. The studio has received numerous awards, including the Wood Architecture Prize, the Dedalo Minosse Prize, the Taddei Prize for Women in Architecture and Design, and has been selected for national awards such as the Italian Architecture Gold Medal. Arbau was also featured in the Italian Pavilion at the 17th Venice Architecture Biennale – Resilient Communities, within the section curated by Rebel Architette: "#137 Italian Women Architects". Baretti and Carbonera complement their design work with research, teaching, and participation in conferences.

Parco Don Gnocchi

Don Gnocchi Park was characterized by a concrete slab built in recent years to host public events. For the rest of the year the slab served as a parking lot. Although its complete removal was not feasible, the slab became an opportunity to reimagine the space.
The project takes shape by redefining the existing concrete slab with subtle earthworks that expand the grassy areas, creating a more inviting environment. Prefabricated concrete elements of varying heights and widths are used to introduce new features: linear benches, play walls, low walls, and on the west side, a stepped seating area designed to accommodate spectators during events held on the platform. Both the vertical and horizontal surfaces are painted with playful colours following the principles of Universal Design. The simple, imaginative patterns encourage open-ended play and creativity, welcoming users of all ages and abilities to play with free interpretation rather than fixed rules, evoking traditional street games.
The new configuration of the park’s access points redefines its circulation, strengthening connections with the surrounding urban context and enhancing spatial cohesion. It also improves the route for visitors moving from the town center to the Brion Memorial, located close by. Additionally, custom-designed signage, border elements, and railings have been developed as unique, cohesive components that help define the park’s identity.
The intervention has had a significant social impact on the area, transforming how the community feels the park: from a parking lot used only during summer festivals to a new, well-connected public space accessible year-round. Rather than erasing what was there, the project works by layering new uses onto the existing park.
Special attention was given to reusing demolition materials, such as interlocking pavers and the rubble from planting basins created in the center of the platform, repurposed as the foundation for the stepped embankment.

Illustration

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