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Arbau Studio di Marta Baretti e Sara Carbonera

  • Site : https://www.arbau.org
  • Adresse : Via G. Toniolo, 17 31100 Treviso
Arbau studio, founded in Treviso in 2000 by architects Marta Baretti and Sara Carbonera, develops projects in the fields of urban planning, architecture, and landscape design. Their work is characterized by a multidisciplinary approach and a strong focus on the specificity of the built environment. The studio often works on reuse and renovation of existing spaces, aiming to restore value to everyday architecture, occasionally blending into the language of art. Since 2010, Arbau has been involved in the regeneration of the former military area of Forte Rossarol in the Venetian hinterland, where design and research intersect around the theme of care spaces, in collaboration with the University of Verona. Recent projects include the primary school in Feltre, Parco Don Gnocchi in S. Vito di Altivole, Piazza M. D. Olivo in Lignano, and the square on Bastione di Porta Altinia in Treviso. The studio has received numerous awards, including the Wood Architecture Prize, the Dedalo Minosse Prize, the Taddei Prize for Women in Architecture and Design, and has been selected for national awards such as the Italian Architecture Gold Medal. Arbau was also featured in the Italian Pavilion at the 17th Venice Architecture Biennale – Resilient Communities, within the section curated by Rebel Architette: "#137 Italian Women Architects". Baretti and Carbonera complement their design work with research, teaching, and participation in conferences.

Bosco di Carpenedo

The Bosco di Carpenedo is a protected wood with restricted access to preserve the fragility of its natural setting. The project started out by adapting the educational itinerary, which was no longer usable, and went on to redesign the entrance, the car park, the path, the bridges, the rest area and the signage. Visitors to the area are kept to a set path, which is clearly indicated by signage that is easy to understand and that changes together with the various types of setting, ground surface and path indicators. The ancient wood tour is identified by a thinning out of the trees and by the red path indicators that show that visitors are not to leave the path. Along the riforestation path in stabilised material, continuous elements indicate the edge of the canal. The meadow path is marked by the mowed grass and vertical path signs. While the horizontal signage in the wood contrasts with the verticality of the trees, the vertical signage in the meadows stands out against the horizontality of the grass cover. The entrance to the wood has been redesigned with the steel-rod fences simulates stylised plants motifs and the concrete logo for the wood with is facing in relief obtained by the contrast between the exposed and smooth surfaces. The works were made on a tight budget (€ 154.000) as evocative objects, clearly but discreetly superimposed on the landscape. The fence, panels, bridges and signage all adopt the same visual grammar, introducing special signs into the natural habitat. The elements appear between the trees like inhabitants of the wood.

Illustration

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